25 Fall Albums That Matter Most according to SPIN

Get ready for fall with our preview of the season's top new releases. See what to expect from Weezer, Brandon Flowers, Matt and Kim, Kid Cudi, Kings of Leon, and Antony and the Johnsons (clockwise from top left). Plus, get the scoop on 19 more artists who will keep you grooving from Labor Day until Halloween.





INTERPOL
Interpol (Matador)

Release date: Sept. 7
The Skinny: They lost their chance to tour this summer with U2 (when Bono's back went out) and lost their beloved bassist-ambassador (the endearingly goofy-looking fashionista Carlos D, who quit), but none of that stopped Interpol from gearing up for their next phase of operations. The group's new self-titled album places them back on Matador, the indie label that helped them rise up the ranks of the early-'00s "New York rock renaissance." But as the very artsy and elaborate video for the single "Lights" showed, there's little skimping going on. Instead, the signs for Interpol's fourth album point to an evermore expansive sound big on drama and space—and, as evidenced by new single "Barricade," a kind of pent-up funk.
Fast Fact: Description of the fabric used for a T-shirt that comes with a complicated $74.99 Deluxe Limited Edition of Interpol: "ultra-soft."




KANYE WEST
Good Ass Job [working title] (Island Def Jam)

Release date: November (tentative)
The Skinny: It's not exactly clear what it means that the biggest music story of the year so far has been that Kanye West, um, started a Twitter account, but you've got to give the guy credit for making the smallest things seem big. He used it wisely early on to announce that Good Ass Job might, in fact, not ultimately be called Good Ass Job, and true to Kanye's style, rumors and bits of news have swirled, if often inconclusively: He cited a debt to the influence of Thom Yorke and Trent Reznor, he flew indie balladeer Bon Iver to Hawaii to talk about doing a track, he did some a capella jams at the offices of Facebook. And so on. What is knowable, without a doubt, is that whatever West puts out will be big in scope and even bigger in terms of spectacle.
Fast Fact: Kanye on how he deals with difficult times, like the death of his mother three years ago: "When Star Wars was out and I was a young child, I used to turn the sheets over and put pillows under it to make my bed look like the Empire Strikes Back snow thing, and whenever something tragic happens, I turn into this five year old."




OF MONTREAL
False Priest (Polyvinyl)

Release date: Sept. 14
The Skinny: Of Montreal are not known for underdoing things (see a storied concert in New York during which frontman Kevin Barnes sang a song on horseback), so it should come as no surprise that False Priest is all over the place—and then some. As he continues to burrow all the more purposefully into a truly singular sound-world, Barnes enlisted help from famed producer and film-music composer Jon Brion (Fiona Apple, Punch Drunk Love, Eternal Sunshine of the Spotless Mind). And then there's some singing from friends Janelle Monae and Solange Knowles, who help Barnes summon the kind of soul and sass that would have never been conceivable on Of Montreal's earliest indie-pop records.
Fast Fact: A sample of subjects surveyed lyrically on False Priest: zombies, Bowflex home gym machines, particle-wave duality, burnt irises, the tongues of dragons, female erection




BRANDON FLOWERS
Flamingo (Island)

Release date: Sept. 14
The Skinny: Killers frontman Brandon Flowers announced his solo album by way of a mysterious countdown clock on the Killers' website that eventually turned over to Flowers' own name spelled out in the form of an old Las Vegas road sign. Then came a video for the single "Crossfire," which features Charlize Theron throwing Chinese stars and stabbing marauding ninjas. So, dude's sense of drama is at no risk of dwindling. But what, exactly, will Flowers' Killers-less future entail? A lyrical love letter to his hometown of Las Vegas with music that's throbbing, anthemic, and not altogether un-Killers-like—not surprising since Flowers says many of the songs were written originally with the band in mind.
Fast Fact: Growing up in Vegas, Flowers once worked at Gold Coast Casino, which plays home to, among other things, a T.G.I. Friday's and a Chinese restaurant called Ping Pang Pong. He also witnessed an orgy while working as a bellhop.


WEEZER
Hurley (Epitaph)

Release date: Sept. 14
The Skinny: "People, it's pretty hot!" That's Weezer on their website in reference to the striking status of their proverbial creative iron, which has gotten some serious work of late with the making of three albums in the past three years. The newest, Hurley, will be the band's first for storied punk indie label Epitaph, and Rivers Cuomo found a surprising kindred soul in a collaboration with Mac Davis, a songwriter who wrote Elvis Presley's "In the Ghetto." Other intriguing guest stars this time include Ryan Adams and Johnny Knoxville, who sings in a song, "Memories," slated for use in the next Jackass movie.
Fast Fact: Rivers Cuomo on the original Jackass: The Movie, back in 2002: "Most of the movie was too much for me. I'm squeamish."




LINKIN PARK
A Thousand Suns (Machine Shop/Warner Bros.)

Release date: Sept. 14
The Skinny: Linkin Park helped give rise to a rap-rock movement that might have been better off never happening, judging by the short shelf-life of so many fateful pretenders to the throne. But the band behind the epochal 2000 album Hybrid Theory has aged better than most, and there's potential that remains to be tapped still by A Thousand Suns. Linkin Park mastermind Mike Shinoda teamed up again with Rick Rubin, the polymath rap-rock producer who worked on 2007's Minutes to Midnight, and you know a band means business when they title the first two tracks on an album "The Requiem" and "The Radiance."
Fast Fact: Mike Shinoda recently made a "Celebrity Playlist" for iTunes that included songs by Oingo Boingo, Tears for Fears, and N.W.A., among others.




CHROMEO
Business Casual (Atlantic)

Release date: Sept. 14
The Skinny: Chromeo make a strange kind of simultaneously earnest and arch electro-rock whose earnestness and archness depend on each other—like two mismatched movie cops who could never partner with anybody else. They started out on Vice Records, true to their party-rocking roots in Montreal, but Chromeo moved to the major label Atlantic for Business Casual. (Might the move and title match?) The new album was made with help from French house producer Philippe Zdar, who works in the dance-music group Cassius and produced the last album by Phoenix. And the sound: lots of whacking, thwacking beats with would-be anthems attached.

Fast Fact: Chromeo member Pee Thug was born in Lebanon, though neither "Pee" nor "Thug" is, etymologically speaking, especially Lebanese.



GRINDERMAN
Grinderman 2 (Anti-)

Release date: Sept. 14
The Skinny: Illustrious brooder Nick Cave garnered good notices when he pared down and went even rawer than usual with Grinderman in 2007. That wasn't exactly an aberration in a career marked by good notices going back to the 1970s, nor was it a surprise considering that Cave's cohorts in Grinderman were members of his seminal band Bad Seeds. But still, it marked a significant shift for Cave and Co., and they've moved to make it more than a one-off side-project thing with Grinderman 2, an album that bandmember Warren Ellis said sounds like "stoner rock meets Sly Stone via Amon Düül."
Fast Fact: Not one to be confined to songwriting, last year Cave published his second novel, The Death of Bunny Munro, a story starring what The Guardian newspaper called "an antihero of epic proportions, a booze-addled, nicotine-stained, cocaine-fuelled monster constantly in search of priapic adventure."



JAMEY JOHNSON
The Guitar Song (Mercury)

Release date: Sept. 14
The Skinny: Jamey Johnson has a grizzled grizzly beard, which goes a long way toward signaling the kind of country music he favors. As does the title of his 2008 breakout album, That Lonesome Song. To put it simply, Johnson likes country from the old school (or at least the mythologized "old school"), when outlaw songs met with moody ballads and swirled into something like rootsy American bedrock. For his forthcoming The Guitar Song, Johnson bedded down and wrote a set of 25 songs that will be divided into two CDs, one called the "Black Album" and the other the "White Album." Guess which one is dreary and which is more upbeat?

Fast Fact: Johnson was a Marine for eight years and used to play songs for his fellows in the corps.



THE WALKMEN
Lisbon (Fat Possum)

Release date: Sept. 14
The Skinny: The Walkmen started as a stately indie-rock band and have grown evermore stately, in evermore raw and sparing ways, since their 2002 debut. The New York group's sixth album has them name-checking a certain old rock guy named Elvis Presley and the kind of elemental sounds that came out of Memphis' legendary Sun Studios. All that comes by way of songs written during stints in Portugal (hence Lisbon) and recorded in warehouses in Brooklyn and Philadelphia. But however jumbled their geographical reach, the Walkmen can be counted on to stay pure and internal—with lots of reverb and intensified rock songs cut from an ageless mold.

Fast Fact: The Walkmen have been working on writing a group novel called John's Journey.




SUPERCHUNK
Majesty Shredding (Merge)

Release date: Sept. 14
The Skinny: The truth about much fabled '90s indie rock is that very little of it has aged well. Superchunk is an exception. Few bands of any kind could have negotiated their way so well from ratty, bratty punk to expansive rock songsmithery, and the best part about them was that they swirled it all together without worrying over the differences. Bandleaders Mac McCaughan and Laura Ballance have been better known of late for running Merge Records, the little indie label that went huge behind Spoon and the Arcade Fire. But a slew of rapturously received reunion shows and now Majesty Shredding, the first new Superchunk album in nearly a decade, stand to reignite a flame that deserves to burn a good while longer.
Fast Fact: Superchunk's first single, "Slack Motherfucker," was named the 19th best single of the '90s in a 1999 issue of SPIN, right after Aaliyah and right before a tie between Hanson and Naughty by Nature.




NO AGE
Everything in Between (Sub Pop)

Release date: Sept. 28
The Skinny: Since slinking out of the fabled L.A. art-punk den known as The Smell, flailing duo No Age have been big players in indie rock's new economy—"economy" in their case meaning output measured against terms of size, focus, efficiency, all that. Put more simply: They sound like way more than two dudes. Dean Spunt and Randy Randall manage to summon a big, immersive sound with guitar and drums, each of which they make shine and swirl until they end up with something between old hardcore punk and the softest, dreamiest shoegaze. The secret seems to be there in a new song title from what will be their third album: "Shred and Transcend."

Fast Fact: Shows at No Age haunt The Smell are, rather coolly, all ages and almost always $5.



YOUNG JEEZY
TM103 (Island Def Jam)

Release date: Sept. 28
The Skinny: Quick, how many monster rap stars have made an album addressing the current perilous state of the economy, not just in little incidental bits but in consistent measure? That's what Young Jeezy's impressive and surprising album The Recession did in 2008, and it's still not been touched on its own terms since. For TM103, Jeezy has returned to title scheme of his past "Thug Motivation" albums, but it's hard to imagine he'll be back entirely to his old coke-slinging ways. The singles so far have featured guest turns by Lil Jon and Yo Gotti, and others said to have done studio time with Jeezy include include André 3000, Kanye West, and Swizz Beatz.

Fast Fact: "They trippin', man."—Young Jeezy to MTV, addressing people who think he's got a beef of late with fellow hip-hop honcho Rick Ross




DEERHUNTER
Halcyon Digest (4AD)

Release date: Sept. 28
The Skinny: Deerhunter have made themselves one of the best bands in all of rock with an elemental sound that can slot in with classics like the Velvet Underground, Brian Eno, and My Bloody Valentine without coming off as the least bit muddled by influence. Frontman Bradford Cox has been crazily prolific over the past few years (both with Deerhunter and his more atmospheric side project Atlas Sound), but the quality just keeps going up as he delves all the more deeply into his singular sense of song. For Halcyon Digest, Deerhunter pull from a wide variety of sounds, including the easy-going but also somehow macabre '60s-pop lean of the single "Revival."

Fast Fact: Cox regularly posts great "micromix" playlists for free download on his Deerhunter blog—such as a recent one that features the likes of Pere Ubu, Stereolab, and the B-52's.




BAD RELIGION
The Dissent of Man (Epitaph)

Release date: Sept. 28
The Skinny: Bad Religion formed in 1980, when Ronald Reagan was a new president, and have been at it more or less in force ever since. Their brand of punk has changed over the years, but it's never been less than punk. It certainly wasn't on 30 Years Live, a free digital release from earlier this year, and it stands not to be on The Dissent of Man, the band's 15th studio album (and by no means the first with a title alluding to something other than peace and harmony). Songwriter Gregg Graffin worked on the album while writing a book called Anarchy Evolution, and his songwriting colleague, Brett Gurewitz, recently had a kid. So it seems like things will be weighty, as if they could ever be otherwise for Bad Religion.

Fast Fact: Still priceless title of Bad Religion's full-length debut, from 1982: How Could Hell Be Any Worse?



JIMMY EAT WORLD
Invented (DGC/Interscope)

Release date: Sept. 28
The Skinny: Serious business when it comes to influential acts within the swell of mid-'90s emocore, Jimmy Eat World climbed up to a bigger rock level in 2001 with "The Middle" and its accompanying video, a.k.a. the underwear-party video. That was a long time ago, of course, but it's a sticky legacy—and one that stands to figure in the reception of Invented. For their sixth album, the band teamed back up with Mark Trombino, a beloved producer who worked on the previous Jimmy Eat World albums Bleed American, Static Prevails, and Clarity. Those are generally the ones devoted fans talk about when they get to really talking, so the stakes are high for a resuscitation of bedrock sounds and sensibilities.

Fast Fact: Jimmy Eat World live in Phoenix, where the average temperature in August is 103 and the highest measure for an August day on record is 116.




GUCCI MANE
The Appeal (Asylum/Warner Bros.)

Release date: Sept. 28
The Skinny: Atlanta rapper Gucci Mane was released from prison earlier this year after getting locked up for violating his probation (if you ever get community service, you should go ahead and do it) on an assault charge. The stint behind bars happened at a pretty bad interval for Mane, as it overlapped with the prime time of his 2009 album, The State vs. Radric Davis. But now he's out and ready to file The Appeal, which pairs the Dirty South-loving problem child with a rich roster of compatriots, including Pharrell, Swizz Beats, Rodney Jerkins, Rick Ross, and Shawty Red.

Fast Fact: Ties on the website for illustrious clothier Gucci cost $180.




T.I.
King Uncaged (Grand Hustle/Atlantic)

Release date: Sept. 28
The Skinny: The king is uncaged…and chilling in a throne with a lion on the cover of his new album. So goes the reentry of T.I. into society after doing storied prison time on federal weapons charges. T.I. has said King Uncaged delves into some of what he thought about and learned while incarcerated, but it also serves as the third part of a trilogy that included T.I. vs. T.I.P. and Paper Trail, so it's not all a star behind bars. But T.I. himself has cited Tupac's 1996 out-of-the-joint classic All Eyez on Me as his main competition, so it seems like he's swinging big. Guest stars include Eminem and Lady Gaga, plus lots more as T.I. reportedly recorded 80 songs for his comeback.

Fast Fact: "Weapons charges" = possession of three unregistered machine guns and two silencers, each nabbed in the parking lot of a Walgreen's in Atlanta.




MARK RONSON
Record Collection (RCA)

Release date: Sept. 28
The Skinny: There are very few people who could co-write a song with a member of the up-and-coming arty indie-rock band the Drums and then get Ghostface Killah to guest on it. But that's how it goes in the world of Mark Ronson. That song, "Lose It (In the End)," is one of 11 on Record Collection, an album for which Ronson learned to sing and put his production chops to work on songs aided by the likes of Q-Tip, Boy George, Spank Rock, Simon Le Bon, and Kai Fish from Mystery Jets. If it sounds like a jumble, it is—but remember, this is a guy who has managed to corral stunning shows of brilliance from Amy Winehouse.

Fast Fact: "Puffy took a liking to the way I DJ'd or something. He liked the cut of my jib?" Ronson on an early break in his career, in a chat as part of The Creators Project.




THE CORIN TUCKER BAND
1,000 Years (Kill Rock Stars)

Release date: Oct. 5
The Skinny: Corin Tucker has been relatively quiet since Sleater-Kinney took a breather in 2006, but presumably she's been more present to the two kids she's been mothering than to the rest of us. But here she is again, with a new namesake band and an album, 1,000 Years, that features more lightly brushed drumming and things like violins than a Sleater-Kinney record ever did. Her stated reference points this time include Sinead O'Connor's The Lion and the Cobra, as well as the Slits, the Raincoats, and the English Beat.

Fast Fact: Tucker has a son and a daughter, the latter of whom is named Glory.



ANTONY AND THE JOHNSONS
Swanlights (Secretly Canadian)

Release date: Oct. 12
The Skinny: Antony Hegarty is one of the strangest, most bewitching musicians at work today—and in any age, actually. He looks like a middle-aged suburban mother doing her best to dress in goth drag, he sings a bit like Nina Simone, and he floats over gorgeous musical arrangements that keep growing more elaborate and refined. He counts among his fans Björk and Lou Reed, and he stands to gain more with Swanlights, an album with a "more exotic" range of sound that glides between orchestral grandeur and otherworldly artfulness. A special edition of the album will come with a 144-page hardcover book featuring Antony's art and writing, and every edition will include a duet with Björk called "Flétta."

Fast Fact: Antony made a striking move by covering a song by underground electronic synthesizer wizard Oneohtrix Point Never, whose new single "Returnal" features a piano version by Antony.



KINGS OF LEON
Come Around Sundown

Release date: Oct. 19
The Skinny: Few would have predicted ever-growing hugeness for Kings of Leon when they first came up and got tagged as "the Southern Strokes." But even groundhogs are wrong sometimes, and so it was for those who failed to recognize. The band's forthcoming fifth album, Come Around Sundown, will be a weighted one, coming as it does after the major 2008 breakout Only by the Night. The family band (three brothers, one cousin) recorded the new one in New York with producers Angelo Petraglia and Jacquire King, who worked on the last one. And they've reckoned that the city might have had a hand in birthing "a little more darker record." But one with fiddle and lots of other old-style country touches, too.

Fast Fact: Kings of Leon recently had to cancel a concert in progress at an outdoor amphitheater in St. Louis for a sure-to-count-as-classic reason: The band's bassist was getting bombed, repeatedly, by pigeon poop.



TAYLOR SWIFT
Speak Now (Big Machine)

Release date: Oct. 26
The Skinny: Taylor Swift is one of those pop stars who just seem preternaturally talented in an all-encompassing way (for evidence of range, see her super-impressive hosting job on Saturday Night Live). But, in more focused musical terms, she's also a highly distinctive songwriter with an unusual handle on cramming reams of emotion and catharsis into songs that don't need to make a big show of how smart or clever they are. Her reported point of focus for Speak Now is "boys and love," but as anybody who's really listened to one of her songs knows, nothing so simplistic could account for what Swift surveys at her best.

Fast Fact: For the Swift fan who has everything and likes to relax in devoted comfort, consider a limited-edition purple "fleece unisex robe" available on Swift's website for $75.



KID CUDI
Man on the Moon 2: The Legend of Mr. Rager (G.O.O.D./Universal Motown)

Release date: Oct. 26
The Skinny: "Mr. Rager" seems like a strong candidate for oft-invoked nicknames to be slung among friends at parties big and small in the coming months, but what exactly the mantle means will have to be left to the impressively strange and inscrutable rapper Kid Cudi. The Kanye West protégé found a nice weird niche for himself with his 2009 album Man on the Moon: The End of the Day, and talk of the much-delayed follow-up has included mention of strange bedfellows Ratatat and Band of Horses, as well as hip-hop peers Jim Jonsin and Kanye himself.

Fast Fact: "Rotten 'Kid' rapper busted": headline from the New York Post after Kid Cudi was arrested in June for "carrying drug gear" and getting in a "spat" with a woman whose phone he broke and whose door he ripped off its hinges.




MATT AND KIM
Sidewalks (Fader)

Release date: Nov. 2
The Skinny: With a relentless tour schedule and an even more relentless ability to wow pretty much everyone who sees them live, Matt and Kim are beneficiaries of themselves, really. The Brooklyn indie-pop duo have to count among the hardest-working acts in the biz, as it were, and their third album, the follow-up to last year's triumphantly energetic Grand, stands to make good on all that devotion. Under the guidance again of the label associated with The Fader magazine, Matt and Kim went into the studio with Ben Allen, who worked on Animal Collective's kaleidoscopic Merriweather Post Pavilion. The results are said to be "upbeat and rhythmic, but with a punk edge"—which is a bit like saying the Stooges are a little bit raw.

Alive in the Superunknown : Soundgarden

One guy's homeless, one likes sleeping all day, one's in Pearl Jam, and one's Chris Cornell. Beloved '90s titans Soundgarden are back, but where are they going? [Magazine Excerpt]

From a distance, it doesn't look like much has changed.

On a cool Thursday evening in June, three-quarters of Soundgarden stand on a street corner in the Belltown section of Seattle, smoking cigarettes. From half a block away, I can make out the long, lean figure of Chris Cornell clad in a green military jacket, leaning against the window outside the Palace Ballroom, a private dining room serviced by local celebrity chef Tom Douglas. The Soundgarden frontman's dark locks hang past his shoulders, a throwback to the band's heyday and a reminder of his status as grunge's only bona fide sex symbol. Guitarist Kim Thayil, 49, stands facing Cornell, a ponytail snaking halfway down his back from underneath a brown skullcap. A few feet away, bassist Ben Shepherd, 41, tall and imposing in a heavy black overcoat, stares into the distance.

As I cross the street toward the three, the years come into focus. Shepherd is stockier than before, Thayil's bushy beard is more gray than black, and Cornell's face bears etches and grooves befitting his 46 years. Inside the restaurant, drummer Matt Cameron, 47, stands talking to one of the band's new managers, music industry veteran Gary Gersh.

Although many people date the discovery of the Seattle music scene -- and by extension the beginning of the alternative-rock revolution of the early '90s -- to the moment in 1990 when Nirvana was signed to Geffen Records (by Gersh, it bears mentioning), Soundgarden really got there first. At the time of Nirvana's major-label deal, Soundgarden were already inked to A&M, had been nominated for a Grammy, and toured with Guns N' Roses. The band had started in 1984 as a weird post-punk trio, but by the mid-'90s, they were the band that punk kids, metalheads, and classic rockers could agree on: a heavy behemoth with surprising pop smarts that would eventually sell more than eight million albums in the U.S. alone.

Soundgarden called it quits in 1997, weeks after an ugly final concert in Honolulu that ended with Cornell and drummer Cameron playing a few songs by themselves after Shepherd walked off in frustration over faulty gear, and Thayil followed him. It wasn't exactly The Last Waltz. At the time, Cornell says, tensions within the band were high and communication was at a low, but for a band that had thundered its way to prominence, Soundgarden just seemed to sort of peter out.

"The one thing about Soundgarden most people don't get is that we always got along," says Cornell. "We drank, and any band that drinks is going to have chaos, but we never had that internal negativity that usually spells the obvious reasons a band breaks up."

As such, the band's current reunion was pretty inevitable. In April, Cornell, Thayil, Shepherd, and Cameron stepped onstage together for the first time in 13 years at the Showbox in Seattle to perform for 90 minutes as the anagrammatic Nudedragons. In August, they were one of the headliners at Lollapalooza, and this month, the unreleased track "Black Rain" will be featured in Guitar Hero 6 and on a new deluxe Soundgarden retrospective, Telephantasm, which will also include videos, TV appearances, alternate takes, and live tracks. Tonight, they'll sit around a large table, eat good food, talk about the old days, and behave very much like four guys who enjoy one another's company. No angry glances will be exchanged, no plates thrown, and the most substantive argument -- about how many stomachs a cow has -- will be solved via a quick consultation with Thayil's phone. (Answer: one stomach with four compartments.) Even the mention of Soundgarden's former manager and Cornell's ex-wife, Susan Silver, won't set off sparks.

"A lot of times bands re-form, and people have changed in ways that might be negative, and you're just fighting to be able to play the music with some degree of efficiency," says Cornell. "We're not that."

New Song from Anberlin

Hard-rocking Florida-born five-piece Anberlin -- who broke through in a big way with their fourth album, New Surrender, and its uber-popular single, "Feel Good Drag," a rock radio staple in 2009 -- is about to release the follow-up, Dark Is the Way, Light Is a Place (out Sept. 7). Below, download "Pray Tell," an exclusive cut from the upcoming record.

This time around, Anberlin worked with uber-producer Brendan O'Brien, known for producing albums by Bruce Springsteen, Pearl Jam, Rage Against the Machine, and more. Frontman Stephen Christian was completely beside himself when he found out he'd be working with this studio whiz.

"It's like winning the lottery, or landing a dream job," Christian tells SPIN.com about O'Brien, who approached the band on his own after discovering Anberlin through his daughter, who's a fan. "I'm not going to get a law degree or be a doctor or something, but if there was a pinnacle, if I had graduated law school, if I had got my doctorate, this would be it."

Christian says that heading to the studio with O'Brien was the biggest "man-up" moment in his band's career: "Say it's like soccer, and you always played at a middle school level, but suddenly, you're at the World Cup stage and this is it, you know? This is that one chance... That's what recording Dark felt like."

"Pray Tell," which was influenced by the band's 2009 South American tour, where they discovered Brazilian music and its African-influenced percussion, turned out to be one of the most magical moments in the studio. "It started with the beat and then the music rolled, the lyrics rolled," Christian says. "Then, we got down on the ground in the studio and just started clanging on anything we could find, from 2x4s to the side of a broken tom drum."

Lyrically, the song is a cry from Christian to see the "real" faces of people, something that's become harder to do as his band's star has risen. "We all have this game face, this show that we put on, but I feel there's more to people than that, and I wanted more out of people than just what they're showing," he explains.

And when "Feel Good Drag" became a bona fide hit last year, Christian was discouraged at times when people suddenly came out of the woodwork and wanted to be involved with Anberlin. "Success brings flies," he says. "It brings a lot of people who don't really care. They just care about you today. They don't care about who you are tomorrow, and they didn't care about you yesterday."

Instead, Christian retreated into his music, much of which made it onto Dark Is the Way..., and to his domestic life -- he got married just before his band's first bout with breakout success. "I was going insane from the pressure, from the label calling to say, 'Hey, if this fails, it's on your head,'" he admits. "And from the band. And from the fans. And from yourself. So she really helped to bring clarity."

'Sainthood' Tegan and Sara

The dynamic and critically acclaimed indie rockers, famous for their transcendent melodies and captivating live shows, will share the Honda Civic Tour stage with Paramore this summer. Tegan Quin and Sara Quin were born in Calgary, Alberta, Canada on September 19, 1980. They are sisters. They began playing music together in high school. They were signed by Elliot Roberts and Neil Young to Vapor Records in 2000. Tegan and Sara are now signed to Vapor/Sire/Warner Bros.

"I know it turns you off when I get talking like a teen," sings Sara Quin in "On Directing," a cut from the sixth studio album by Quin and her twin sister, Tegan.

Turnoff or not, talking like teens is precisely what once distinguished this Canadian duo from a nation (a continent!) of similar strummers: On early records -- their 1999 debut, Under Feet Like Ours, and 2004 breakthrough So Jealous -- Tegan and Sara's lovelorn ruminations had a deceptively casual verisimilitude, with lyrics that read like instant-message transcripts and arrangements that gave coffee-shop folk some new-wave fizz. The siblings' intricate harmonies even served to replicate the overlapping layers of tenth-grade conversation.

With 2007's The Con, though, Tegan and Sara began pushing their music in a more adult direction, toward something darker and less innocent. "Remember when I was sweet and unexplainable?" Sara asked in "Back in Your Head," over an anxiously tick-tocking guitar and murmuring organ. "Nothing like this person, unlovable."

That journey away from the juvenile continues on Sainthood, which the Quins say was inspired by "Came So Far for Beauty," the deeply resigned 1979 ballad by fellow Canadian Leonard Cohen. (For a maturing tunesmith, invoking Cohen is tantamount to a novelist describing her new book as an homage to Tolstoy.) "All I said to you, all I did for you, seems so silly to me now," Tegan concedes in "The Cure," a taut jangle-rock number whose title appears to acknowledge the moody keyboard line borrowed from the Cure's "Lovesong." Later, in "Night Watch," Sara insists, "I need distance from your body / I deserve this anguish on my house." Ever hear a teen utter those words?

Coproduced (as was The Con) by Chris Walla of Death Cab for Cutie, Sainthood has a thick, post-punk muscularity that's new to the duo. In opener "Arrow," Sara sings about "the feathers of an arrow," but there's nothing wispy about the track's juddering synth pattern. "Don't Rush" rides a grimy bass line Trent Reznor could admire, while "Alligator" sports a bottom-heavy, blue-eyed soul groove. "Northshore," in which Tegan admits that her "misery's so addictive," is two minutes of choppy fuzz-guitar freak-out.

Grown-up is a good look for the sisters, who write about romantic obsession much more compellingly than the majority of their peers; the tougher textures here lend weight to their descriptions of searching and not finding (or of searching and finding, and then wondering if the search was really worth all the trouble). In an interesting parallel to that thematic narrative, Sainthood marks the first time in their decade as a band that Tegan and Sara attempted to write with each other, instead of toiling separately and then fleshing out the results together. Apparently, the experiment didn't yield much; none of the 13 songs here came from a collaborative songwriting trip they took to New Orleans last year.

Yet listening to Sainthood -- to its odd structural disjunctions and shifting lyrical uncertainties -- it's difficult to imagine that the sisters would make records as powerful if they continued to try to work in that way. Tegan and Sara's music may no longer be the stuff of teens, but its strength remains in how much it feels like two people talking.

Radiohead's Drummer Phil Selway Launches Tour in Tokyo

Philip Selway / Photo by Wataru Umeda

"Good evening," said Philip Selway. "And welcome to our quiet night in."

He wasn't joking. Thursday night in Tokyo, the 43-year-old Radiohead drummer clutched a small-scale acoustic guitar and unveiled for the first time his new backing band, playing enchanting renditions of all 12 songs from the Japanese edition of his debut solo album 'Familial'—and plenty more besides.

Selway kicked off his tour of Japan, Europe, and Britain at Duo, a plush Tokyo venue in the youth district of Shibuya. It speaks volumes that Selway's songs are short, sweet acoustic pop tunes—far more accessible than the glitchy electronica of Thom Yorke's 'The Eraser' or Jonny Greenwood's various soundscapey movie scores.

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Photos by Wataru Umeda

Dressed in white slacks, a white waistcoat, and white shirt with pale stripes, the jovial Selway acted like he was entertaining guests at a wedding rather than a crowd of Japanese fans. He cracked self-deprecating quips—for example, introducing sticksman Alex Thomas as being "here to show me how a real drummer does it."

The night's intimate tone was bolstered by the softness of his music: warm, tender acoustic nuggets whose cadence flowed as much from Selway's percussive fingerpicking as it did from the drumkit, punctuated by flourishes of violin and whispered backing harmonies.

Instrument-swaps were common throughout the 80-minute set. Nu-folk artist Adem Ilhan was on bass and double-bass duties, though he also played box accordion and sang. The other three members of the group have all been plucked from Bat For Lashes' live band: Caroline Weeks (also a solo artist) played keyboard, xylophone and flute; Kath Mann switched between keyboard, violin and bowed saw; and drummer Thomas even picked up the bass at one point.

At this fragile volume, Selway's voice stood out magnificently, the mic picking up every tiny nuance. Each bout of reverent applause came as a deafening shock; this being Tokyo, there was no heckling, no chatter, just total immersion.

As the album title suggests, Selway's songs are laced with references to his kith and kin. 'A Simple Life' and sublime non-album track 'Days And Nights' are odes to his wife; the 'In Rainbows'-esque 'The Ties That Bind Us' to his children; 'Broken Promises' to his parents; and 'The Witching Hour' to the bandmates with whom he became famous (the song’s about a camping trip they went on together).

The clickety-clack of drumsticks on rims, deep double-bass, and ethereal bowed saw propelled the dark, simmering 'The River', which Selway announced as his newest song. Much older was a version of 'Slide,' a track he recorded for singer-songwriter Lisa Germano's 1998 album of the same name; Ilhan inherited Germano's vocals and played the box accordion as Selway touched the xylophone keys gently with a violin bow.

Album-closer 'What Goes Around' ended the set, with Selway performing a delicate synth line over a simple drum loop, as Ilhan, Weeks, and Mann played recorders. One by one, the five musicians congregated around the drumkit and bashed out interlocking rhythms on one drum or cymbal each before reaching a gentle climax, exiting the stage and then coming back on for a soothing performance of 'Pale Blue Eyes,' which Selway joked he’d written for Lou Reed in the '60s.

With a new Radiohead album reportedly almost complete, it won't be long till Selway returns to his usual spot: a drum stool at the back of a cavernous stage. All the more delicious, then, to spend an intimate summer evening in his company as talented frontman.

Setlist:
By Some Miracle
A Simple Life
Falling
Patron Saint
Broken Promises
Days and Nights
Every Spit and Cough
Running Blind
All in All
The River
Slide
The Ties That Bind Us
All Eyes on You
Don't Look Down
The Witching Hour
Beyond Reason
What Goes Around
Pale Blue Eyes

keong racun : dangdut koplo

Dangdut koplo is a fenomenal music in Indonesia because it always performs a high bit rhythm that is inviting to dance. The most special one, the singers and dancers almost 100% are woman and sensually outfitted. Interesting a lot, right? it is kind of normal and humanize when the viewer are almost 100% male.
For an example, the song of keong racun, at glimpse, It is totally interesting from the tune, voice, lyric but in fact the meaning and the message is a fake because all performance said the opposite. Some lipsing video in youtube used this video to get popularity and you know that they did it with outrageous and silly movement. Overall they wrap the pop. Let's take a look on the theme song at the followings:
-Dasar kau keong racun

-Baru kenal eh ngajak tidur

-Ngomong nggak sopan santun

-Kau anggap aku ayam kampung

From those sentences, we may conclude the message is not suitable with the clip video where the singer and dancers make such a sensual movement. Imagine when you find a girl with tank top, mini skirt, tight shirt, over makeup, high heels, It is fair to say such a lyric and a normal to behave such as in the following theme :
-Kau rayu diriku, Kau goda diriku

-Kau colek diriku, Eh ku takut sekali

-tanpa basa basi kau ngajak happy happy

-...Matanya melotot

-Lihat body semok, Pikiranmu jorok

-... Jangan remehkan aku

-Sorry sorry sorry bang, Ku bukan cewek murahan

Initially, people will evaluate others subjectively from the first performance. When the fact said that you are sexy, improper outfit, tight clothes, makes men's eyes jumping out and thinking dirty thus the conclusion is that you are bad girl.
The question is why such song can be very very famous? Ask your self? How is that? Let me give you help. There are 2.865.277 viewer on video sinta and jojo keong racun and related videos have more than 1.000 viewers.
My analysis concludes that there is one element; exploitation on woman physic, that is long lasting case and not a new phenomenon. It means when you search related word with the sensual case, it assures that you can get more than 50 million website, so why? the point is that the case is BASIC HUMAN NEED equal with meal and beverage.

The media in Indonesia has been intensively discussing the phenomenon of video "Keong Racun." The video is still an issue in the news, both in conventional media and cyberspace and sites such as Facebook and Twitter can't escape the popularity onslaught of this video.

Try to type the keyword "Keong Racun" in Google and you'll find millions of sites focused on the video. On YouTube, it's gotten more than 3 million views, a fantastic number for a home video. So what exactly is behind the phenomenon of "Keong Racun?"

In truth, Keong Racun, is actually a video of two teenage girls named Shinta and Jojo, who were a lipsyncing to a song titled "Keong Racun" (translated as: Toxic snails). Keong Racun is a popular song in one province in Indonesia. The song is a homage to "dangdut," a stream genre that is claimed to be native to Indonesia. The tremendous response to the video greatly exceeded their expectations and Shinta and JoJo were offered a recording contract from one of the major labels in Indonesia.

In fact, Shinta and Jojo admit they can't sing the song live. They are not singers which is a fairly major requirement to becoming a star singer. But, so long as there is a demand from the public, there is no harm in producing the album with two girls — money is money. Perversely, Shinta and Jojo's popularity has dwarfed that of the original singer. According to news sources, the song was first popularized by a local singer named Lissa. In an interview, Lisa expressed dissatisfaction because she wasn't a part of the popular lip-syncing video, and doesn't appreciate having her work appropriated by two non-singers.

The amazing groundswell of popularity over this video proves you never know what's going to strike a chord with people — even a goofy, silly lip-syncing video with two cute girls

Lady Gaga : has finished new album

The 24-year-old, known for her flamboyant costumes as much as her records, plans to release the album early next year, according to Rolling Stone magazine.

"I think I'm gonna get the album title tattooed on me and put out the photo," she told the publication.

"I've been working on it for months now, and I feel very strongly that it's finished right now. It came so quickly. Some artists take years; I don't. I write music every day."

The "Poker Face" singer, whose real name is Stefani Germanotta, hinted that her new music was likely to be more serious than her hit debut, which turned her into one of the pop world's biggest stars.

"I have been for three years baking cakes -- and now I'm going to bake a cake that has a bitter jelly," she said.

"The message of the new music is now more bitter than it was before. Because the sweeter the cake, the more bitter the jelly can be."

Coming This Year! New Radiohead Album

Earlier today, Radiohead guitarist Ed O’Brien stopped by Adam Buxton’s Big Mixtape show on BBC 6, and shared some details on the band’s upcoming release.

According to Ed, the follow-up to 2007’s successful In Rainbows is being recorded at the moment, and the band is “in the heart of the record.” As for a release date, he says: “Ideally, it’d be great if it came out sometime this year. It’s got to. I hope so,” also adding that “the finishing line… it’s in touching distance.”

Mr. O’Brien had something to say about the quality of the record as well: “I’m really excited… I feel like this is the best record we ever made. It really is genuinely exciting. It’s very different from what we did last time.”

While no further details were given about the release, we’re certainly curious to see how Radiohead will go about putting out the record, given the previous album’s extremely successful “pay-what-you-want” model, which proved to be little more than a publicity move. Regardless of that, much has changed in the music industry since 2007, and we look forward to seeing how Radiohead tackles the competition.